Moriana: Final Exterior Establishing Shot and Digital Sketches.
Sound Experiment 04
Today I decided to record some more natural sounds, this time seeing how the sound of wind would sound through a window before I recorded it outside, as I think the slight whistling noise through the window would make it sound more interesting, I am planning on collecting more natural sounds, but I wanted to see how it would sound before I progressed onwards in case the background noise was too much in comparison to the wind and ruined it. For the second sound for my second image, I wanted to continue to find something more sharper so I tried to record the sound of cactus spikes, particularly if I ran my fingers through it, as it makes a very sharp, high pitched sound that I think could work better, especially if I could replicate the sound to reflect the more smaller portions of the image. Lastly I wanted to try and collect a more electronic sound for image one, to match its sharp, electric colours so I wanted to start by recording a microwave, as I thought is humming noi
There's something about the combination of your loose style and then the line-art in those little supporting studies that I think is beginning to work nicely - and it feels like it could feed back into your rendering of your establishing shot and the rest of your scenes: take a look at these example of animation backgrounds in the UPA-style for a sense of what I mean and how you might embrace confidently what you've established so promisingly in some of those cute little studies:
ReplyDeletehttp://animationbackgrounds.blogspot.com/2009/12/
https://www.pinterest.co.uk/pin/491385009314703154/?lp=true
You'll see they're a combination of flat colour, intermittent texturing and strong line art - there are elements of this getting started in your work here - and I think you could dial it in more boldly :)